Wizard of Oz

        The film The Wizard of Oz is definitely about the concept of returning category. This is made clear throughout the film. Dorothys entire time in Oz is spent trying to get back home to Kansas. and so when she gets back home she tells Aunt Em that all I unbroken saying to everybody was I necessitate to go home. This fits perfectly with the time, 1939, that The Wizard of Oz was produced. unrivalled reason was that due to the depression, many people were forced away from their homes and into cities. Another reason was that America was on the verge of debut into another war, WWII, and the threat of having to send troops away from home was very real. And, as stated by Paul Nathanson in Over the Rainbow (156), going home is fundamentally linked, for many Americans, with growing up. With this in mind, it seems a good way of evaluating The Wizard of Oz is by Dorothys butt on of growing up, her maturation. Also, since Dorothys adventure to Oz is clearly in the form of a pipe dream, it seems a good way of analyzing Dorothys maturation is by expression at this dream compared with real ones, and using modern dream analogy from the Freudian perspective.

        The act that spurs the entire action of the movie, concord to Freudian Daniel Dervin ( Over The Rainbow 163 ), is Dorothy witnessing the primal scene. The primal scene refers to a child witnessing sexual talk between mother and father; an moment that is both fright and confusing to the child. According to Dervin, this event sends Dorothy towards her final stage of puerility development ( Freud believed in three stages of childhood development ) the priapic phase. Terrified of the idea of being destroyed by fathers phallus, Dorothy projects (...

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